page 1 page 2 page 3 page 4 page 5 page 6 page 7 page 8 page 9 page 10 page 11 page 12 page 13 page 14 page 15 page 16 page 17 page 18 page 19 page 20 page 21 page 22 page 23 page 24 page 25 page 26 page 27 page 28 page 29 page 30 page 31 page 32 page 33 page 34 page 35 page 36 page 37 page 38 page 39 page 40 page 41 page 42 page 43 page 44 page 45 page 46 page 47 page 48 page 49 page 50 page 51 page 52 page 53 page 54 page 55 page 56 page 57 page 58 page 59 page 60 page 61 page 62 page 63 page 64 page 65 page 66 page 67 page 68 page 69 page 70 page 71 page 72 page 73 page 74 page 75 page 76
|
walking around the new gallery at New Walk merely confi rms the feelings I remember from when Attenborough led me around the earlier exhibition, pointing out particular favourites, utterly engaged by the spirit of life, mischief and visual invention that informed the works on display. Simultaneously modern and timeless, Picasso's ceramics have an immediacy that fully justifi es Attenborough's own conclusion."I think it would be impossible for anyone to not respond to this energy and humour," he said. "There's something quite magical in Picasso's touch that I've been privileged to live with for over 30 years. Their move to New Walk leaves a large gap in our home but I take enormous pleasure in knowing these things are now accessible to everyone, just as that very fi rst 30 franc ashtray was there for us back in 1954." ?A catalogue, by Marilyn McCully and Michael Raeburn, is published by New Walk Museum & Art Gallery (ISBN 978-0-9569221-0-6), priced £25 (hb)Above: The New Walk Museum & Art Gallery in LeicesterPICASSO CERAMICS: THE ATTENBOROUGH COLLECTIONOpen: Monday - Saturday: 10.00am - 5.00pm, Sunday: 11.00am - 5.00pmAddress: New Walk Museum & Art Gallery, 53 New Walk, Leicester, LE1 7EA Groups: museums@leicester.gov.ukContact: 0116 225 4900; www.leicester.gov.ukAdmission: FreeGetting there: By train - Leicester stationwww.nadfas.org.uk NADFAS REVIEW / SPRING 2012 31 CERAMIC ART Culture and curiositiesThe Beaney Institute in Canterbury, founded over 110 years ago, has been closed for three years to allow for a £14m refurbishment. Simon Tait fi nds out about the exciting cultural centre that will emerge from beneath the hoardings THE BEANEY |